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LABORARTORY BRNO
Trpělková, Lena ; Šupler, Libor (referee) ; Jura, Pavel (advisor)
The site is located on the corner Milady Horakove and Koliště in the city center at a very busy thoroughfare on the edge of the Brno circuit next to the small park within easy reach fluctuate. The basic volume is divided into two materials, one of which closes the city block and second accentuated corner. Accentuation is achieved vertical, but horizontal in the sense MASS MASS PAUSE MASS ! Based on the analysis of a smaller space gallery on the corner and area LABORARTORY center for the development of art. Art Lab creates the background for smaller mass gallery. Facades are united by noble material limestone. The contrast lies in the different dynamics of the grid buildings.
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LABORARTORY BRNO
Trpělková, Lena ; Šupler, Libor (referee) ; Jura, Pavel (advisor)
The site is located on the corner Milady Horakove and Koliště in the city center at a very busy thoroughfare on the edge of the Brno circuit next to the small park within easy reach fluctuate. The basic volume is divided into two materials, one of which closes the city block and second accentuated corner. Accentuation is achieved vertical, but horizontal in the sense MASS MASS PAUSE MASS ! Based on the analysis of a smaller space gallery on the corner and area LABORARTORY center for the development of art. Art Lab creates the background for smaller mass gallery. Facades are united by noble material limestone. The contrast lies in the different dynamics of the grid buildings.
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Questions of the Economic Usage of Industrial Architecture Monuments
Řeháčková, Kristýna ; Kouba, Vojtěch (advisor) ; Kuška, Martin (referee)
The subject of this thesis is an analysis of the economic usage of Prague's former industrial buildings as centers for contemporary art. The theoretical part of this thesis will focus on the delimitation of the term Brownfield and the characteristics of it. Further, the Czech Republic's approach to industrial heritage preservation will be reviewed and compared to approaches in a few chosen foreign countries. As well, this thesis contains a theoretical approach to the construction of centers for contemporary art in former industrial buildings in which the criteria for their classification will be established. Two Prague art centers, DOX and Meet Factory, will be analyzed in the practical part of this thesis. This thesis will review approaches to the reconversion of former industrial buildings and their new usage by cultural institutions. The aim of this thesis is to describe concrete institutions and to illustrate the achievement for the local community in using the buildings.
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